firstname.lastname@example.org and email@example.com
Amazing possibilities of underestimated tools
Everything I read about AVK and RVK was related to facial animation. I have studied in depth their actual power:
While working on character animation, for the Crosswalk Project on Elysiun.com (thank you for shaking my brain!), I have discovered that some underestimated tools included in Blender since the origin of times can be used to do quite everything, much better than other advanced features: Absolute Vertex Keys and Relative Vertex Keys.
These tools are mainly used for facial animation, but they hide their real power under this wellknown use. In fact, they are much more than animation tools, because their field of applicationt is quite unlimited. I will try to make you know how to use these incredible features.
First of all, please download from this link the short demo movies, usefull for the understanding of the following explanations:
http://3d-synthesis.com/movies/construc ... 40x480.avi
The scene uses only RVK for the characters animation. No armatures have been used. Clouds of dust and projected stones effects are simple meshes including several vertices groups animated by AVK. They act as particles and objects emitter.
Please do not pay attention to the character on the left, because it is just a render test got from a work in progress, and all the animation keys are not yet correctly set.
1 - Characters animation.
Currently, I'm making various low poly standalone characters, able to interact each other and with some predefined props.
They are animated only by AVK and RVK, without any armature. They are simple meshes including their own behaviour program in AVK/RVK.
Remember this: a simple mesh can include a whole scene with one or several characters interacting with objects, as well as particle effects like smoke or fire!
No other objects are needed, like Empties or Armatures!
A great advantage is that the axis system is inside the object itself. This means that you don't have to worry about what axis is pointing up for Constraints settings, or recalculating bones position!
These characteristics are very important when you are working on an open movie project, because you can export and import in one object, a complete scene ready to use, without any risk of loosing an object used as Parent and exploding the scene!
As the whole scene is an ordinary object, it can be resized at will without any problem of any king.
Simply selecting all the Ipo Curves and shifting them along the time axis allows the final animator to define the starting and ending frame of the action.
Your scenes or characters are actually "put and play" !
2 - Particles.
First, you must know that it is possible to fake a particle generator using AVK and RVK. Not only the particle generator that is included in blender, but a most powerfull one!
While the particle generator generates a flow of unpredictable particles that must be driven through Lattices and deflected by objects or Empties used as Force Fields needing a lot of computing power, AVK and RVK allow you to chose the individual behaviour (if needed) of each particle, or group of particle, and allows the particles to have an individual behaviour in the group!
To enjoy this feature, you will have to use halos on materials, like you do with the classical particle generator. AVK and RVK, used with halos can be used to make volumetric clouds, smoke, flames, explosions with or without projection of objects and fragments, clouds of solid dust, and quite everything!
You can reach an incredible level of life making your particles effect, by the use of Displacement Mapping with an animated AVI texture, or a material animated by Offset Ipo Curves.
Eddies and vortex will appear inside the volume and will make your fireball or smoke cloud really alive!
No more computing power than for rendering a simple mesh, because each "particle" is indead a pre-created vertex belonging to an ordinary mesh, not a particle calculated for each frame!
This method supports duplivert better than the particle generator!
The movie available on the link above has been encoded in 640 x 480 pixels. Though, the whole animation has been rendered in 800 x 600 with OSA 16 and Gaussian filter enabled in less than 8 seconds per frame!
The used of the particle generator wouldn't have allowed the same effect, and a scene using the same number of particles would have required several minutes to render!
The only thing that AVK and RVK seems not to be able to create at first sight, is static particles.
A noticeable difference with particles emitted by the classical particle generator is that the "particles" made with AVK or RVK are not created in real time, so they have no life span.
This means that you can't use a decreasing alpha Ipo curve on each particle. Though, Ipo curves are usable on a whole group of particles at the same time. You can make a lot of vertice groups with their own material, and set an Ipo for each group, or use several meshes with Ipo curves shifted in time. As the tool uses very few computing power, you can duplicate your meshes as many times as necessary!
A very interesting consequence of this characteristic is that you can choose which particle will die or not ! It is nor very noticeable in the movie, because it is one of my first renders with this method, so I didn't thought of it when setting the scene, but you can make solid dust clouds, with dust that stay on the ground after falling down!
You can even create a character using a spray to paint on a wall!
3 - Crowd animation.
Using Vertex Parent, you will be able to attach any object to the AVK/RVK particle! This is a very important possibility in animation, because you don't have to create a path for an object, but all the animated objects are moved by a single Ipo curve at the same time! Do you see what it means? We can do crowd animation in a very simple way !
These characters can be used alone and put where you need them, or included in a crowd system using also a "map mesh" using AVK or RVK to manage a crowd and make all this character play, speak or even fight together in a realistic way, and over all, using a very few computing resources!
I hope that this text will have helped you in the understanding of the interest hidden under AVK and RVK.
Please feel free to send me your comments by E-mail to firstname.lastname@example.org or email@example.com.
My website: 3d-synthesis.com
The direct link to the AVK/RVK article in HTML format:
Thank you for reading.
Animation tools, character animation, non linear animation
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